La narrativa cinematográfica en la época de su retroalimentación mediática
DOI:
https://doi.org/10.51698/tripodos.2001.11.9-41Abstract
Inclined in its beginnings to openly absorb any cultural reference, artistic discipline or expressive resource that came within it reach, cinema narrative is currently facing an irreversible crisis which calls into account its ve7y nature as a medium and which foreshadows the dissolution otits uniqueness as the vehicle par excellence of contemporary story-tetling. The following text, a modest approach to this problem, attempts to establish what are, what have been and what will be the keys to this inter-media odyssey, pointing out trends, rebutting cornmonptaces and proposing future objects of debate.
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